A SHORT INTRODUCTION OF GARBI’S
Ginans are a vast collection consisting of several hundred Ginans which have been a central part of the religious life of the Nizari Ismaili community of the Indian Subcontinent that today resides in many countries around the world. The Nizari Ismailis of the Indian Subcontinent used the term to designate a special type of poetic composition: a composition whose authorship is attributed to Ismaili Pirs and Sayyids, or preachers, who came to the region as early as the eleventh century to teach the Ismaili interpretation of Islam. The earliest Pir to have preached in the subcontinent is Satgur Nur (or Nur Satgur). He is believed to have lived between the end of the eleventh century and the beginning of the twelfth century.
Pir Shams, who seems to have lived in the middle of the fourteenth century, composed many Ginans in Punjabi. A community of followers in Punjab called Shamsis, who had been practicing their faith in secret, came out as Ismailis in the twentieth century. Elsewhere a cycle of Ginans called garbis, lyrics set to dance, commemorates Pir Shams’s conversion of Hindu villagers in Gujarat, where he is said to have joined in their dance during the festival of navratri, and substituted his own words for theirs, thus teaching them the Ismaili interpretation of Islam.